This is my summer garden imagining itself to be Mrs Brayton’s garden in ‘The Story of a New Zealand River’ by Jane Mander. My garden has a vivid imagination. In reality, it is nothing like Mrs Brayton’s, except in that there is “always something more to know”.
“Some gardens, like great masses of complex machinery, arrest and fascinate the intellect, and satisfy one’s sense of arrangement, of clockwork management. They have no mysteries, however, no nesting places, no dream-compelling nooks. But inside that phalanx of pines above the river there grew a wonderful garden with all these things; a garden of dreams, a garden riotous with life; a garden of brilliant sunlights and deep shades; a garden of trees that hid the stars and of shy flowers peeping from the ground; a whispering garden full of secrets and suggestion; a garden where there was always something more to know.” Chapter 3, ‘The Story of a New Zealand River’ by Jane Mander. Published 1920. New York : John Lane company; London, John Lane.
‘The Story of a New Zealand River’ is regarded as a New Zealand classic~ “… this is the first New Zealand novel to confront convincingly many of the twentieth century’s major political, religious, moral and social issues – most significantly women’s rights. Daring for its time in its exploration of sexual, emotional and intellectual freedom, the New Zealand Herald found the ending ‘too early for good public morality’. It is believed by many to be the inspiration of Jane Campion’s film The Piano.” (https://www.penguin.co.nz/books/the-story-of-a-new-zealand-river-9781775531326)
My garden and I wish you dreams, mysteries, life and shade, and always more things to know, in 2022.
ps This post comes with special thanks to Liz Gaffreau https://lizgauffreau.com/ who encouraged me to start reading ‘The Story of a New Zealand River’.
pps For those interested in literary connections, in Chapter 2 of ‘The Story of a New Zealand River’, Mrs Brayton mentions ‘The Story of an African Farm’ by Olive Schreiner. The Story of an African Farm was an immediate success when it was first published in 1883 and is considered one of the earliest feminist novels. It dealt, amongst other issues, with individualism, the professional aspirations of women, and the elemental nature of life on the colonial frontier.