Remember Mother Monarch ? https://silkannthreades.wordpress.com/2013/01/08/royalty-arrives/
Remember Mother Monarch ? https://silkannthreades.wordpress.com/2013/01/08/royalty-arrives/
The other day, when I was visiting my Tulip Tree ( Me, the Tree, and Helen) at the former site of Helen Connon Hall, I decided it would also be a suitable hour to say goodbye to the adjacent St Saviour’s Chapel, where we held our church service during the Reunion weekend in October 2000. St Saviour’s Chapel is about to embark on yet another voyage, and must be the most travelled chapel I have ever met.
St Saviours Chapel was originally built for, and located in, the West Lyttelton Parish of Lyttelton. Lyttelton is home to our main sea port and, from Christchurch, it is reached by travelling over the Port Hills or through the tunnel. St Saviour’s was consecrated on 22 October 1885. For many years it was a chapel for seafarers and local parishioners alike. Amongst the seafarers to worship in the Chapel were Captain Robert Falcon Scott and the crews of the Discovery and Terra Nova.
In 1975, the Lyttelton parishioners gave the Chapel to the Christchurch Diocese and it was then given to The Cathedral Grammar School for use as its school chapel. To reach its new abode, the Chapel had to be dismantled and moved in sections over Evans Pass to Christchurch, and then reassembled. It was blessed on its current site on the corner of Park Terrace and Chester Street in July 1976 .
In 1980, a piece of the Chapel made another, much longer, journey. Acknowledging the Chapel’s connection with Captain Scott and Antarctica, the original altar was given to the Department of Scientific and Industrial Research and later placed in the Chapel of the Snows in Antarctica.
Now the little Chapel is too small for the needs of The Cathedral Grammar School, so it has been given to the parishioners of Holy Trinity Lyttelton, who lost their own church to the recent earthquakes. Soon, the Chapel will return close to its original home. Quite how it is to travel is still undecided, as far as I know. It may go the way it came or possibly, and very appropriately for a seafarers’ chapel, it may travel by barge on its first sea voyage ever. What a great little traveller and adventurer.
If you would like more detailed information on the amazing life journey of this great little Chapel please refer to the following links:
In our outings and aboutings, I have noticed that there are certain places which are favoured as rest areas by taxi drivers and people in work vehicles. Usually, they are places with free parking, lots of shade, beautiful views and lots of activity to attract the eye. However, there is one area in a Burnside park which has always puzzled me by its popularity with resting workers. It has shade and free parking, for sure, and the view is fair enough, but, during the working week, activity to watch is limited to a few dogs being exercised, and some grass growing. Until my visit yesterday, I would have said ‘how dull’. But, after some time sitting in my car, pretending to be a resting cab driver, my eyes have been opened, my horizon extended and I know,now, how things work; mostly.
Here’s my path to enlightenment and knowledge. Sitting in the car, I look at the view. I think it would be more inspiring if the Port Hills were visible and the ugly fencing in the foreground were taken away.
Ho hum, tiddley dum; twiddle thumbs. But, wait a minute, something interesting is happening in the rear view mirror. I hop out of the car for a quick inspection, leaving husband happily eyes front, waiting for the glimpse of a hill, or a dog to bound across the emptiness.
and a pile of sticks near dappled depths. But, since no one is in the danger zone to help me trespass across the dams, or find a use for the sticks (Pooh Sticks would stick in the dam, I decide), I return to the car. Husband is not yet bored and neither are our parked neighbours, everyone one of whom has their car determinedly reversed to the action.
So,again, I sit and look and look at the bare-ish expanse before me, and start to wonder if I could take a panoramic view of the landscape. I fiddle with buttons on my camera. I press this one and that one; no panorama setting is to be found. But, hey, what’s this button? Oh my,oh my, is this true? Can my little camera do that and that and this, and this and that one,as well. My camera has a whole other life I have been too busy to see. I am beside myself with excitement. Husband is now ready to leave, but I am too occupied in discovering my camera’s inner existence.
Eventually we get home to supper and domesticity. In the quiet of the evening, I make a note to never again doubt the wisdom of working drivers, or the appeal of a bland view. Therein lie hidden depths and inspiration, and, maybe even the source of hay bale dams. I know, now, how things work!
I am standing close enough to touch it; to press my cheek against it. But I can not. My hand is raised, ready to feel the rough surface, but I hesitate and withdraw as if afraid the redness of the metal may somehow burn me. Am I being fanciful? Possibly. Yet, the fact remains, my hand is restrained by a sense of overwhelming pain, imprinted on the object before me. It does not want to be touched. It is not ready; it is healing.
Are objects bearers of our burdens, our feelings? Do they carry our histories? Would I feel this way if I came to this piece of metal without knowledge of its tragic story. I am not sure.
What is this story and why am I so close to it on a sunny, Saturday afternoon, in the city of Christchurch?
I am here out of curiosity. The Reserve has been in existence for more than ten years. I have driven by many, many times, and know something of its origins, but have failed to stop for a proper visit. Today, I want to find out what I have been missing. This is what I find. This is what I see. This is the story.
This part of the story comforts me. It seems to validate my inability to physically communicate with the sculptured metal. “The sculpture stands……near the historic site of the former Tautahi Pa. There were important Maori cultural and spiritual issues to be considered in placing a sculpture made from a site of death near this significant life-giving site. Consultation……took place to ensure that processes and procedures were enacted to appropriately acknowledge and address the cultural considerations.” It also answers a question I posed in my earlier post on a sacred site a few metres further down river from the Firefighters Reserve….. https://silkannthreades.wordpress.com/2012/12/17/still-floundering-after-all-these-years/
PUMAUTIA KI TE POU ROKO © silkannthreades
The other day, when I was preparing my post Me, the Tree, and Helen , I found, tucked away in my Helen Connon book, a thank you letter, from a very old, Helen Connon Hall Old Girl. It is a hand written note and closes with the lovely words, “Grace begets Grace.” The ending made me smile and remember the pleasant few hours I spent in the Old Girl’s company, listening to her stories of days gone by. She was a gracious hostess.
The words also made me smile for another reason; in fact, this time, I not only smiled but I chortled, as well, because it occurred to me that, in my back garden, I have a perfect, and down to earth, example of grace begetting grace, in the form of my Aspidistra. My Aspidistra is a descendant of a large and lovely Aspidistra who lived comfortably, and well, in a purple hued pot near the fireside in my grandmother’s living room. My grandmother called her Aspidistra, Grace, or more accurately, Gracie, after Gracie Fields who sang, The Biggest Aspidistra in the World; a hit song in 1938. Gracie lived by the fireside for decades and when my grandmother died, Gracie went to live in the home of a daughter in law where she thrived under tender, green fingered care, for more decades.
A few years ago, my aunt, perhaps feeling that my fingers had finally obtained a worthy, lighter shade of pale green, asked if I would like to care for some of Gracie’s great, great, great,and probably more great, Graces. I was only too happy to welcome some of Gracie’s progeny to my home.
Sadly, my little Graces don’t have a fireplace to warm them; they have to live in the rough and tumble outdoors and ,sometimes, this leaves them a little bedraggled. But I love them dearly and, more than that, I love that this simple plant has graced our family for at least 70 years and maybe longer, according to some versions of our family history. How amazing is that! And, imagine, what stories our old Gracie and her Graces could tell of our lives.
I am feeling weary after yesterday’s heat, so, today, I am only going to post some quiet, soothing photos without the noise of too many words.
The scent of the pines and the songs of the birds are sweet but there is something about the sounds in a pine forest that raise the hairs on the back of my neck; time to head home
The recipe is from the Joy of Baking website http://www.joyofbaking.com/PlumCoffeeCake.html which is an excellent place to find cake recipes. I follow the recipe to the letter, but not the pan, because I don’t have a suitable round cake tin.
With the most important cooking task completed, I decided to add a few more flavours to our evening meal. Enter my spinach and rice cake which is another favourite recipe. This one comes from Very Easy Vegetarian Cookbook by Alison and Simon Holst. Again, I follow the recipe exactly, even to the baking dish, because the Holsts excel at producing precision recipes. Here is a link to their website, although I don’t think this recipe is on it, http://www.holst.co.nz/Home.aspx The main ingredients, apart from the obvious spinach and rice and tomatoes, are cottage cheese and eggs and parmesan type cheese, onion and herbs.