Tag Archives: Homer

Exploring “Spirited Ageing”

Two weeks into the New Year and I have finished reading my first book for 2014, albeit one I started some time back, in 2013. The book, which I have been reading, at a very leisurely pace, is  Spirited Ageing ~cultivating the art of renewal   ~ by  Juliet Batten .

Juliet, in her book, tackles, with a delightful combination of grace and common sense, the subject of preparing for one’s old age. She invites the us “into the adventure of conscious ageing”  and  provides basic, easy-to-follow, strategies to help us discover our source of energy,  the “illumination” or “regenopause”, upon which  we can draw  to fuel  a ‘ vibrant’ and ‘expansive’ old age. She also invites us to, amongst other things,  care for the soul, do new things constantly, identify treasure and clutter, bring creativity into our lives, and to focus on increasing the  renewable *spirit* of our being, as our physical capacity diminishes.

Clap your hands and sing

Clap your hands and sing

With Juliet’s suggestions in mind, I have been enriching my spirit, in recent days,  by researching  a post I meant to write more than a week ago; a post to acknowledge the closure of one Christmas season on January 6th and   the beginning of  another; that of the Coptic Churches, on  January 7th. I would have gotten to this *work* sooner, if it weren’t for those mayhem-making Moments you may remember from my previous post 😉 . However, when the subject of the post is of a  millennial vintage, a delay of a moment or two, or three ,or four, is neither here nor there.

So, with research completed, here is that delayed post, which has two parts:

Part One;

a visit to  the Walters Art Museum in Baltimore, Maryland  to gaze upon  the Museum’s collection of Ethiopian illuminated manuscripts and icons;

Diptych Icon with Saint George, and Mary and the Infant Christ

Diptych Icon with Saint George, and Mary and the Infant Christ : Early 15th Century, Tempera on Wood

The Walters Art Museum has “one of the largest collections of manuscripts, icons and processional crosses outside of Ethiopia. Historically, Ethiopia was a Christian kingdom with strong ties in both trade and religion to the cultures located around the Mediterranean. Ethiopia’s Christian tradition dates back to the 4th century, when the ruler of the Aksumite kingdom converted to Christianity; by the 15th century, this African nation had developed a tradition of icon painting that rivaled that of the Orthodox empires.http://art.thewalters.org/browse/category/ethiopia/

and Part Two;

an introduction to the three books I will be reading, now that I have finished “Spirited Ageing”. All three books are by  Elizabeth E Wein ~ The Winter PrinceA Coalition of Lions and The Sunbird. They are visually beautiful books and lovely to hold, as well. I am eager to stretch my imagination and  embark on the adventures they promise in ancient, mythical lands.

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But, in case, you should think, with this post, that I am already lost to  those most ancient of days, I am pleased to report  some relatively recent news, which is  that the city of Vancouver has banned doorknobs in all apartment buildings and   private homes to be built after March 2014. http://www.vancouversun.com/story.html?id=9173543  They will be required to have easier-to-use, universal design levers. That’s the spirit Vancouver City! May I come and spend my old age with you?  🙂

© silkannthreades

 

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We did it…. the Bull is here to stay :)

Towards the end of last month, I wrote a  post   on a fundraising effort called ‘Back the Bull’. It was organised by the Christchurch Art Gallery Trust with the aim of raising $NZ 200,000 towards the cost of purchasing this glorious creature, “Chapman’s Homer”, for our city.

Chapman's Homer

Chapman’s Homer

I was ever so pleased ( as in, dance-around-the-room-and-shout-with -glee-pleased )  to read in this morning’s newspaper that the ‘Back the Bull’ campaign achieved its target last night.

This means the Bull is here to stay!!

The Bull, Chapman’s Homer, was on display (on loan) during the fundraising but is now in storage. Eventually the 1.8 tonne sculpture will have a permanent home on the forecourt of the Christchurch Art Gallery. That will be in  2015 when the earthquake repair and strengthening work on the Gallery is completed and it is once again open to the public. In the meantime, the sculpture will be displayed from time to time at yet to be determined sites in Christchurch.

I am very glad that the campaign was a success because it shows that, if we put our hearts into working together, we can do wonders for our broken city.  This was yet another positive action to counteract the negativity and arguing and crankiness that seems to jaywalk, unhelpfully, through the city’s new design and rebuild plans.

© silkannthreades