Tag Archives: archaeology

From Rhubarb to Roses

About a fortnight ago, I wrote of my excitement at harvesting my first few stalks from the  rhubarb   that grows, in the  big blue pot, at my back door.  I think my delight in its growth, went to the rhubarb’s head, for, today, it was producing flowers from its crown. Flowers on rhubarb are a no-no, if you want healthy, strong rhubarb stalks, so I whipped outside and chopped off their little heads. Ouch! I felt brutal and mean, especially when I observed them closely and  realised how pretty  they (the flowers) are, all  tight,  pale greenish-whitish buds, tinged with tips of  deep pink-pinkness.

To assuage my guilt, I brought them inside and placed them amongst my latest  Constance   Spry-esque  flower arrangement of catmint, complete with wildlife (aka aphids).

So, why the plate in the photo, if you please ? Mostly, because it happened to be on the dish rack when I was arranging the rhubarb flowers, and I  was taken by  the way the colours of the plate’s rose design complemented the colours of the rhubarb buds. Like this….

Perfectly Matched

But, it’s also on display because I had just finished reading an article by a Christchurch company, Underground Overground Archaeology ,  which is currently piecing together the pre-1900 history of our city, through all manner of artefacts, including broken pieces of china. The article prompted  me to  look with fresh eyes  at my every-day dessert plate . There it was, sitting casually, air drying by  the kitchen sink, as it, or one of its 5 companion pieces,  has often done for nigh on twenty years. Yet its humble positioning, and purpose as  a simple receptacle of a steady diet of sweet treats, belies the plethora of stories it contains within its brim.

Let’s take another look at my little plate

What  would my treasured possession reveal, if it were to be unearthed a hundred years or more, from now, by fine-toothcombing archaeologists. For sure, it would be obvious from its Franciscan markings that its pottery origins belong to the American company, Gladding, McBean & Co., which began production of Franciscan dinnerware in 1934, in Glendale, California. They would easily discover that its Desert Rose pattern, issued in 1941, was an overnight success and became the most popularchina pattern ever made in America. And they would know that my little piece tells the sad tale of the decline and sale of Gladding, McBean & Co, and the subsequent manufacturing of this famous American/Franciscan design in England. http://www.replacements.com/thismonth/archive/v1209j.htm

But will they guess at the trifles and cakes and custards it has held? Will they guess at the number of times it has been licked and scraped clean by eager tongues and fingers and spoons? Will they wonder how this small piece of England and America came to rest in a small suburb, in a small city, in the south of the Southern Hemisphere?  Would they see a young woman, ‘umming and aaahing’ at Abraham and Straus, White Plains, New York, trying to decide if she should buy 6 little  bowls that didn’t match any of her chinaware, but were the perfect shape and size for her desserts?  Would they realise that the young woman chose them mainly  on the basis of their form, the way they nestled comfortably in her hand ; that no one in the china department was at all helpful at explaining why there was Made in England china amongst the stands of Made in America; that no one told her that Franciscan dinnerware was favoured by Jacqueline Kennedy; that it was famous!

And would they believe that the treasured dishes travelled from New York to Cairo and back again and, then, across the seas to far New Zealand? Could they tell that my Desert Rose sat at table in a Cairo suburb, in the company of the most beautiful and most sweetly perfumed  of  ‘desert’ roses, the Baladi Rose ( rosa gallica var. aegyptiacus ) ?

Would they hear, rippling across its surface, the songs that it has heard over the years?  Elly Ameling sings Les Roses d’Ispahan

Perhaps, they will know and hear and see, if my blog survives as long as a fragment of china! But, isn’t it extraordinary, that a fashioned piece of clay, something intrinsically fragile, can carry the weight of history; the clues to our existence? Next time you plate up your ‘pud’ or your food, take a moment to consider what else is in your bowl. Hopefully, you won’t find the aphids off my catmint or a piece of poisonous rhubarb flower 🙂

Catmint, rhubarb and aphids

Catmint, rhubarb and aphids

Note: If you click on the word Constance, above, you will find lovely information, via the excellent blog of Teamgloria, on the remarkable Constance Spry.

© silkannthreades

Advertisements

Out ‘there’ forever

Whenever I prepare to write a post, a pint-sized, shadowy, but very vocal, bogey man appears over my right shoulder.  A bogey man; well, more a creature of unspecified gender who repeats ad nauseam and ‘whiningly’,”Remember,  remember, whatever you put out on the internet stays there forever; be careful, you may live to regret what you let loose in public….blah, blah, blah…out ‘there’ lives evil….”. And I cower and hesitate and write ever so cautiously, and recheck and rewrite, and waste a great deal of precious time pandering to this scaremongering spectre of  certain doom and ruin.

Where this creature comes from, I am not sure, but, yesterday, I determined to give it a little tap on the shoulder; tip it off-balance a bit, and maybe, if I am lucky,  see it tumble to my feet with profuse apologies for being such a wretched nuisance.

So, here I go with my attempt to dislodge the harbinger of the awful doom awaiting  me (and you) on the big world-wide web.

NEWSFLASH! bogey creature……. on the day we are  born, our lives enter the public sphere, and there is no going back. We become a matter of public record from our first breath. And, as any genealogist, archaeologist, historian, or little Rumpelstiltskin, will tell you, we are, from that beginning moment, out ‘there’ forever, our lives always trackable and traceable and scrutinisible.  Perhaps, not in every fine detail, but certainly enough detail to be able to  leave our mark on history somewhere, somehow. Thus it has ever been, and ever will be, internet or no internet.

Case in point. Here is a photo which I found the other day. I hesitated, thanks to bogey creature, about showing it to you. Then, in an epiphanous moment, I realised, that it is an official photo which has probably been readily available in  public archives  for about 36 years.

For all to see

For all to see

What am I doing? Well, I am not sleeping! I am listening  intently to a debate. I will leave you to ponder, until my next post, where and why, and the story behind this photo. In the meantime, I am travelling back in time to listen to the ancient prophets/creatures of doom as they watch our cave dwelling forbear raise his/her hand to paint that very first stroke on the cave wall. I hear the critters say, in tones of eerie menace, “Be Ware, Be Very Ware…..once you mark that wall, your life will be out ‘there’ forever, for all to know where you have been and what you have been doing; you are open season; prey to all….muahahahaha”  And the cave person turns to face the menace, and paints the wall anyway. Thank goodness he/she did.

Note to self: the creature hasn’t tumbled yet but it is looking disconcerted 🙂

© silkannthreades